It’s been a long spring and summer, but my logjam of writing projects is slowly becoming unstuck and I’m making progress once more. This summer I published the first two editions of Writer’s Catalyst and now my short story “Carrier Waves” has been published in Corrugated Sky’s Insurgence: A Fae Rebellion.
The plot is medieval, involving a group of fairies who fled the Earth a few hundred years ago and are now looking to return — using the quickest transportation that they can find. But when I started writing this story it was pure science fiction, and as I wrote the first few paragraphs it quickly became clear to me that I had somehow channeled the 1950s or 1960s for the setting.
Writers will tell you that stories make demands on them. Well, it’s true. You start writing and the next thing you know the story has a life of its own and the characters will not always be predictable, let alone the plot. In fact, trying to make the characters behave in the way that your plot demands usually means that the characters have the last say and the plot tends to go out the window. But that’s what rewriting is for, right? 😉
On the nonfiction front, I’m working on a textbook project and I have articles on nineteenth century electricity and electromagnetism to get drafted. That’s one reason I opted not to do NaNo this year; I’m just “booked” with nonfiction that requires research, which means the writing process tends to be much slower than the 1667 words a day that NaNo requires. I’m setting 300-word daily goals and aiming for working on the nonfiction four days a week minimum.
However, I have two drafts from previous years that I might dust off soon and get back to. But not before I finish the electricity article and ponder writing up a journal article or two.